ALL EVENTS

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Arthur Miller’s Pulitzer Prize- and Tony Award-winning masterpiece Death of a Salesman comes to the stage as a Zorlu PSM production with contributions from Rönesans. With its timeless story centered on dreams, ambition, and family bonds, the play invites audiences on a deeply moving journey through the hopes, disappointments, and family relationships of Willy Loman, revealing the fragile reality behind the American Dream.

The production is directed by Rufus Norris, who served as Artistic Director of London’s National Theatre from 2015 to 2025. The stage design is created by Olivier and Tony Award-winning designer Es Devlin, while the costumes are designed by Tony and Olivier Award winner Katrina Lindsay, known for Harry Potter and the Cursed Child, which continues to run in London. Lighting design is by Oliver Fenwick, whose work includes major productions with the Royal Shakespeare Company, English National Opera, and the West End. The music is composed by Oğuz Kaplangı, internationally recognized for representing Türkiye through his acclaimed projects, while the soundscape is shaped by Tony Award-winning sound designer Adam Cork. Olivier Award-winning choreographer Javier de Frutos adds a powerful movement language to the production through a striking ensemble interpretation.

Returning to the theatre stage after a long hiatus, Halit Ergenç takes on the role of Willy Loman. He is joined by one of Turkish theatre’s most acclaimed performers, Zerrin Tekindor, alongside Fatih Artman, Kerem Arslanoğlu, Kubilay Karslıoğlu, and Beyti Engin. With its large ensemble cast, the production brings 1940s America to life with intense emotional depth. Combining powerful performances, striking stage design, and a contemporary directorial vision, this unforgettable interpretation of a classic promises audiences a remarkable theatrical experience. Don’t miss this special production where a timeless text meets a modern staging.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Arthur Miller’s Pulitzer Prize- and Tony Award-winning masterpiece Death of a Salesman comes to the stage as a Zorlu PSM production with contributions from Rönesans. With its timeless story centered on dreams, ambition, and family bonds, the play invites audiences on a deeply moving journey through the hopes, disappointments, and family relationships of Willy Loman, revealing the fragile reality behind the American Dream.

The production is directed by Rufus Norris, who served as Artistic Director of London’s National Theatre from 2015 to 2025. The stage design is created by Olivier and Tony Award-winning designer Es Devlin, while the costumes are designed by Tony and Olivier Award winner Katrina Lindsay, known for Harry Potter and the Cursed Child, which continues to run in London. Lighting design is by Oliver Fenwick, whose work includes major productions with the Royal Shakespeare Company, English National Opera, and the West End. The music is composed by Oğuz Kaplangı, internationally recognized for representing Türkiye through his acclaimed projects, while the soundscape is shaped by Tony Award-winning sound designer Adam Cork. Olivier Award-winning choreographer Javier de Frutos adds a powerful movement language to the production through a striking ensemble interpretation.

Returning to the theatre stage after a long hiatus, Halit Ergenç takes on the role of Willy Loman. He is joined by one of Turkish theatre’s most acclaimed performers, Zerrin Tekindor, alongside Fatih Artman, Kerem Arslanoğlu, Kubilay Karslıoğlu, and Beyti Engin. With its large ensemble cast, the production brings 1940s America to life with intense emotional depth. Combining powerful performances, striking stage design, and a contemporary directorial vision, this unforgettable interpretation of a classic promises audiences a remarkable theatrical experience. Don’t miss this special production where a timeless text meets a modern staging.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Ecem Erkek’s one-woman musical play “Kara Kız” tells the story of a girl growing up in a traditional family in the 1990s.

She is not one of those “princess-like” children dressed in pink with fluffy skirts, carried on her father’s shoulders everywhere. Instead, she is the girl wearing a wool dress bought from the local market, leggings underneath, slippers on her feet, dancing “Mezdeke” at her mother’s coffee gatherings. The story of the “black girl” who earns unconditional love not through appearance, but through her own strength, gestures, and personality. It feels strangely familiar…

One New Year’s Eve, after being stood up by her boyfriend and thinking she will be completely alone, the protagonist finds a mixtape she recorded in her childhood. This cassette takes her on a joyful journey back to her childhood and youth: washing carpets in the street, ironing her hair, dancing at her cousin’s wedding. On the way back, she hears a familiar voice she once blamed for her lack of confidence—her mother.

And this time, it is a song she has never heard her mother sing before. But perhaps it is finally a song they can sing together. Could there be a better New Year’s Eve than this?

Age limit: +16

Duration: 75 minutes / single act

Tuna Kiremitçi brings “Şairin Şarkıları” to Zorlu PSM touché by N Kolay. Tuna Kiremitçi continues to perform his musical show “Şairin Şarkıları”, which stands out from typical performances by placing laughter between songs. The event offers an unforgettable meeting shaped by audience questions, blending conversation and music. In the show, Kiremitçi performs his own compositions such as “Birden Geldin Aklıma”, “Affet”, “Bu Aşk Burada Biter”, and “Yine Sevebilirim”, along with classic songs of the same style. Between songs, he humorously comments on the life of an unnamed young man. The performance takes the audience on a cheerful journey—from Müslüm Gürses to Ronnie James Dio, from the mountains of Sicily to the streets of Beyoğlu. On stage, he is accompanied by master violinist Müge Alpay, creating a performance where music, humor, and literature come together seamlessly.

Soft Analog will meet their audience on May 22 at Zorlu PSM %100 Studio!

Formed in Ankara in 2019, Soft Analog is a creative duo blending the synth aesthetics of the 80s and 90s with modern electronic production. They naturally combine influences from Anatolia’s melodic heritage with genres such as Synth-Pop, Disco, and Indietronica, creating a unique sound identity that is both rooted and forward-looking.

Following their debut album DANS İLLÜZYON (2024), the duo has expanded their reach through international collaborations and performances, touring since late 2024. Their bilingual live shows across Germany, France, Belgium, and the United Kingdom have connected them with a global audience through the unifying energy of the dancefloor.

In 2026, Soft Analog enters a more atmospheric and rhythmic phase with their new album “Gecenin Koynunda”. In this new era, they explore a “darker and dustier” disco sound. Their focus track “Gecenin Koynunda (Phantom of the Discotheque)” reflects this vision, balancing midnight energy with the duo’s signature melodic storytelling.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Vay! Dedi Baykuş is adapted from a book written for preschool children. The story follows a curious little owl who stays awake during the day and discovers the surprises that daylight has to offer. Some of these wonders include the dawn light, sunshine, leaves, butterflies, clouds, and the colors of the rainbow. By the end of the day, when night falls, the owl realizes that stars are the most beautiful of all. Little Angel Theatre brings the book to life with a magical interpretation, using simple yet captivating puppetry to spark the imagination of very young audiences. Decorated with colorful fabrics, charming puppets, and engaging music, this production is especially designed for children aged 0–5.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Vay! Dedi Baykuş is adapted from a book written for preschool children. The story follows a curious little owl who stays awake during the day and discovers the surprises that daylight has to offer. Some of these wonders include the dawn light, sunshine, leaves, butterflies, clouds, and the colors of the rainbow. By the end of the day, when night falls, the owl realizes that stars are the most beautiful of all. Little Angel Theatre brings the book to life with a magical interpretation, using simple yet captivating puppetry to spark the imagination of very young audiences. Decorated with colorful fabrics, charming puppets, and engaging music, this production is especially designed for children aged 0–5.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

A 30-meter giant egg starts chasing Chef Bekir from Üsküdar! Meanwhile, the Gentleman, who is celebrating his victory with friends, is waiting for his order… The temperature is rising inside! It's turning into hell… As the walls melt, the building starts shaking.

Fiiiiiiıuuvvv!

Amidst all this, Bekir is boiling away with the egg he’s forced to cook… Chefs with knives, birds burying their heads in the sand, and of course, Kurt Cobain! They are all cooking. They’re all sauced. Chiiiinnnn! Now, they’re all ready to serve!

Fiuuuuuvvvvv!

Is destiny an inheritance from the family? Can a person shrink after being born? Does eternal sleep relax a person? Have you ever lost your head? Can a person look like someone they've never met? Do fish play chess too?

How is the pressure cooker’s heat controlled?

Fiiiiiiiiuuuuuuuuuuuvvvvvvvv!!!!

Time is passing…

The Gentleman is waiting for his egg.

Bekir? Is the egg ready?

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Four colorful, playful, and unstoppable storyteller-players—Vuf, Vın, Sisi, and their newest friend Bubu. Wherever they are, they are ready to joke, learn from each other, and tell the fables of Aesop!

The race of the Tortoise and the Hare, the unexpected bond between the Lion and the Mouse, the encounter between the Wolf and a mischievous child, and the story of the Crow all come to life again with songs and laughter. Aesop's Fables reminds us, in a magical and fun way, that even the smallest can achieve great things—and highlights the value of patience, intelligence, and friendship.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Four colorful, playful, and unstoppable storyteller-players—Vuf, Vın, Sisi, and their newest friend Bubu. Wherever they are, they are ready to joke, learn from each other, and tell the fables of Aesop!

The race of the Tortoise and the Hare, the unexpected bond between the Lion and the Mouse, the encounter between the Wolf and a mischievous child, and the story of the Crow all come to life again with songs and laughter. Aesop's Fables reminds us, in a magical and fun way, that even the smallest can achieve great things—and highlights the value of patience, intelligence, and friendship.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

(Single act)

As the flow of time gradually unravels, the fine lines of memory fade; familiar faces become strangers; the boundaries of what is known disappear.

Reality and imagination, yesterday and today, dissolve and merge within the bond between father and daughter.

“Father” offers an experience that drifts between remembering and forgetting, inviting us to reconsider what it means to be human in the face of time.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

(Single act)

As the flow of time gradually unravels, the fine lines of memory fade; familiar faces become strangers; the boundaries of what is known disappear.

Reality and imagination, yesterday and today, dissolve and merge within the bond between father and daughter.

“Father” offers an experience that drifts between remembering and forgetting, inviting us to reconsider what it means to be human in the face of time.