GIFT CARD

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

(Single act)

As the flow of time gradually unravels, the fine lines of memory fade; familiar faces become strangers; the boundaries of what is known disappear.

Reality and imagination, yesterday and today, dissolve and merge within the bond between father and daughter.

“Father” offers an experience that drifts between remembering and forgetting, inviting us to reconsider what it means to be human in the face of time.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

(Single act)

As the flow of time gradually unravels, the fine lines of memory fade; familiar faces become strangers; the boundaries of what is known disappear.

Reality and imagination, yesterday and today, dissolve and merge within the bond between father and daughter.

“Father” offers an experience that drifts between remembering and forgetting, inviting us to reconsider what it means to be human in the face of time.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Is a story only as it is told, or as it is understood?

Is reality more striking than fiction?

To what extent—and in what way—should the truths of the past be revealed?

How close can we come to the truth with the right questions?

Can truth help us overcome our fears?

Is truth enough for freedom?

Is revenge just another name for justice?

Death and the Maiden, written by Ariel Dorfman and directed by Zişan Uğurlu, produced by Tiyatro Tonik, continues to meet audiences for its third season.

This concert is much more than a classical repertoire evening: at Zorlu PSM, Bergüzar Korel does not simply sing the songs on stage—she tells them, from one heart to another. Throughout her acting career, Korel has always followed stories, and in this special night she transforms music into a form of storytelling. Songs that have accompanied our childhood, youth, first excitements, and unfinished sentences come back to life through her voice, interpretation, and narrative style on stage. Each song turns into a memory, an emotion, a small scene. It is an evening that reminds us that love is not only made of big words, but also of what we remember, what we share, and what we quietly feel. As beloved songs are reinterpreted on stage, the audience becomes part of this story—sometimes humming along, sometimes silently accompanying, sometimes simply closing their eyes and listening. At the center of this performance are not grand effects, but emotion. Not speed, but breathing. Not explaining love, but making it felt. Piano & Musical Director: Mustafa Haybat Guitar: Erdem Sökmen Drums: Erhan Seçkin Bass Guitar: Cemil Tatlıpınar Percussion: Tunç Çakır Saxophone / Flute: Batu Şallıel Violin: Hakan Güven Backing Vocals: Yonca Kocadağ

Flapper Swing brings the music and atmosphere of the “Golden Age of Jazz” (the 1920s and 1930s) to the present at Zorlu PSM touché by N Kolay, inviting the audience on a journey through time with its authentic sound and joyful repertoire.

Featuring manouche guitars, double bass, saxophone, and vocals in a seamless on-stage harmony, the group promises an unforgettable night both visually and musically.

On stage:

Vocals: Nevin Hetmanek Guitar: Erhan Erbelger Saxophone: Batu Şallıel Guitar: Tomas Hetmanek Double Bass: Volkan Topakoğlu

Şenay Lambaoğlu performs at Zorlu PSM touché by N Kolay!

Throughout her career, Şenay Lambaoğlu has made a name for herself with her albums as well as appearances at jazz festivals in Turkey and abroad. As a singer, songwriter, and composer, she takes her audience on an enjoyable musical journey that blends jazz with pop, Latin, and rock influences.

On stage:

Vocals: Şenay Lambaoğlu Piano: Kaan Bıyıkoğlu Guitar: Emre Karabulut Bass: Eylem Pelit Drums: Turgut Alp Bekoğlu

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Arthur Miller’s Pulitzer Prize- and Tony Award-winning masterpiece Death of a Salesman comes to the stage as a Zorlu PSM production with contributions from Rönesans. With its timeless story centered on dreams, ambition, and family bonds, the play invites audiences on a deeply moving journey through the hopes, disappointments, and family relationships of Willy Loman, revealing the fragile reality behind the American Dream.

The production is directed by Rufus Norris, who served as Artistic Director of London’s National Theatre from 2015 to 2025. The stage design is created by Olivier and Tony Award-winning designer Es Devlin, while the costumes are designed by Tony and Olivier Award winner Katrina Lindsay, known for Harry Potter and the Cursed Child, which continues to run in London. Lighting design is by Oliver Fenwick, whose work includes major productions with the Royal Shakespeare Company, English National Opera, and the West End. The music is composed by Oğuz Kaplangı, internationally recognized for representing Türkiye through his acclaimed projects, while the soundscape is shaped by Tony Award-winning sound designer Adam Cork. Olivier Award-winning choreographer Javier de Frutos adds a powerful movement language to the production through a striking ensemble interpretation.

Returning to the theatre stage after a long hiatus, Halit Ergenç takes on the role of Willy Loman. He is joined by one of Turkish theatre’s most acclaimed performers, Zerrin Tekindor, alongside Fatih Artman, Kerem Arslanoğlu, Kubilay Karslıoğlu, and Beyti Engin. With its large ensemble cast, the production brings 1940s America to life with intense emotional depth. Combining powerful performances, striking stage design, and a contemporary directorial vision, this unforgettable interpretation of a classic promises audiences a remarkable theatrical experience. Don’t miss this special production where a timeless text meets a modern staging.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Ferhat Göçer presents Opia – “Love at First Sight” at the Turkcell Platinum Stage! The production is an impressive musical theatre performance that brings together both music and theatre on one stage. Inspired by the artist’s album “Opia”, the show conveys the magic of love at first sight through deep melodies, powerful lyrics, and compelling acting performances. Blending Ferhat Göçer’s music with theatrical storytelling, this special production offers audiences an emotional journey that questions the many dimensions of love and delivers a deeply moving experience.

Tuğrul Tülek presents “Date Night Songs” at Zorlu PSM touché by N Kolay.

Tuğrul Tülek, known for his work as an actor, director, and musician across different disciplines, brings a new stage project to the audience.

Are you unsure where to go on your first date? Or looking to surprise your partner after years together? Or maybe you just want to have fun and say, “dating isn’t my thing”? Then this night is for you.

While sharing date stories, dating mishaps, and romantic moments, the show also features a curated repertoire of some of the most romantic, classic, love-filled—or anti-romantic—songs in music history, inviting audiences to a stylish and entertaining evening.

Accompanied by a talented orchestra, Tuğrul Tülek also surprises the audience with guest performers at each show. It’s a night to talk, laugh, dance—and maybe even fall in love.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

It all begins with a list written by a six-year-old child.

A list of the most wonderful things in the world.

A list of things worth living for.

– Ice cream – Water fights – Being allowed to stay up late and watch TV past bedtime

When the child learns that their mother has been hospitalized for not finding a reason to live, this list—written as a gift for her—gradually transforms into something that changes their perception of life itself over time.

Duration: 60 minutes

Age limit: 15+

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

Arthur Miller’s Pulitzer Prize- and Tony Award-winning masterpiece Death of a Salesman comes to the stage as a Zorlu PSM production with contributions from Rönesans. With its timeless story centered on dreams, ambition, and family bonds, the play invites audiences on a deeply moving journey through the hopes, disappointments, and family relationships of Willy Loman, revealing the fragile reality behind the American Dream.

The production is directed by Rufus Norris, who served as Artistic Director of London’s National Theatre from 2015 to 2025. The stage design is created by Olivier and Tony Award-winning designer Es Devlin, while the costumes are designed by Tony and Olivier Award winner Katrina Lindsay, known for Harry Potter and the Cursed Child, which continues to run in London. Lighting design is by Oliver Fenwick, whose work includes major productions with the Royal Shakespeare Company, English National Opera, and the West End. The music is composed by Oğuz Kaplangı, internationally recognized for representing Türkiye through his acclaimed projects, while the soundscape is shaped by Tony Award-winning sound designer Adam Cork. Olivier Award-winning choreographer Javier de Frutos adds a powerful movement language to the production through a striking ensemble interpretation.

Returning to the theatre stage after a long hiatus, Halit Ergenç takes on the role of Willy Loman. He is joined by one of Turkish theatre’s most acclaimed performers, Zerrin Tekindor, alongside Fatih Artman, Kerem Arslanoğlu, Kubilay Karslıoğlu, and Beyti Engin. With its large ensemble cast, the production brings 1940s America to life with intense emotional depth. Combining powerful performances, striking stage design, and a contemporary directorial vision, this unforgettable interpretation of a classic promises audiences a remarkable theatrical experience. Don’t miss this special production where a timeless text meets a modern staging.

The event is performed in Turkish. It is not suitable for audiences who do not speak Turkish.

An English bourgeois family in an English living room furnished with English armchairs. An English evening. In the midst of collapse, Mr. and Mrs. Smith host Mr. and Mrs. Martin in what remains of their Englishness. But why is the Fire Chief sitting on Maid Mary’s stool when there is not even the slightest sign of a fire in the house? If they are somewhere around London, who is driving us mad—who? So alienating—what? If the Diva is actually bald, when will our reality arrive? And who benefits from sustaining this confusion? Let’s not try to understand it. Let’s leave everything as it is. (Or should we?) The Bald Soprano, written by Eugène Ionesco, blends abstraction and absurdism in a uniquely precise way. It is staged throughout the season at Zorlu PSM under the title The Bald Diva, isn’t it?

Duration: 75 minutes, single act